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13 July 2016

In French

Two dreams summation

The sky, overspread with gloomy and laden clouds, appears on the brink of falling down in heavy, endless rain. The pouring will last a week, no less: there is no other way in this world. The important thing is to sneak away from here in time – before the cold, bone-chilling rainstorm unleashes. 

Where is here?

I am sitting on the rooftop of a skyscraper, nonchalantly dangling my legs from the ledge and leaning back on my arms; my hands grip the inner edge of the massive rooftop parapet. This is an excellent vantage point over the street on my right, the park on my left, and the small courtyard just below me. However, the scenery far below – with its once-lively landscaping and the dark asphalt road – is deserted: no movement. It's all because of them. Such as my companion sitting next to me.

“Hey, take a look, take a look,” his voice encourages me.

I ease myself forward a little, strain my eyes, and peer down to the ground: anything? There! Underneath, out of the main entrance of my building, runs a small group of people – about five or six heads. I don’t have eagle vision, so it’s difficult to count them with limited visibility from an incredible height. 

“To the right,” I state. 

“To the left,” my associate corrects. Indeed, the cluster of morons crosses the tiny courtyard and turns in the direction of the park. They then hide around the corner of a multistory, candle-like tower standing just opposite my skyscraper. I sigh in exasperation. Vaguely, somewhere from below, echoes of shouts and groans are heard, but the throat-ripping, helpless voices of despair quickly fall silent and forgotten.

“You don’t feel sorry for them at all, do you?” The one sitting next to me is interested. Almost sincerely. 

I click my tongue and shake my head, droning under my breath, “For the frigging way they tend to write and film sometimes, I already want to see all the characters quickly killed off. The sooner this nonsense ends the better.” 

“That's cruel,” notes my companion. 

I snigger ironically and retort, "Look who's talking." 

Frantically running out of the front door, another group of people shows up. This one looks even more organized than the four previous – if these new fugitives are lucky and equally bright they will make it to the road. As the day begins to cool down into a late-summer evening, I am watching other people’s doom.

“Where?” my opponent asks. 

Raising my eyebrows reproachfully, I turn to face him. What is the point of arguing with a mind-reader? And besides the unusual abilities, my antagonistic companion also looks... weird. He is two-something meters tall; he is bony and dark-skinned.

Additionally, he's got six toes and fingers, a glistening chitinous cover with corrugated muscle tubes all around, and external ribs on his chest. Elegantly bent arches above his shoulders and polished kneecap joints are more uncanny touches to his appearance. My neighbour is sitting sideways to me; his nearest leg is folded under him and the other one is flexed with the knee upwards. This noble posture allows me to study his smooth dorsal tubes, heel and elbow spikes, long serrated tail with its sharp tip, and, of course, his head. The imitation of a phallus in profile. Impressively carved ribbing on the top of the dome indicates that my associate is a mature being. Significantly more mature than others of his family, who gallop below in the yards and streets of the city.

“Are you aware they were discussing the possibility of developing intelligence as we grow older? The screenwriters and the director,” he comments, having overheard my thoughts. My companion confidentially lowers his “face” over my shoulder as if he could physically whisper these words in my ear. 

I roll my eyes. Of course, I know that.

Something cold and viscous covers my bare shoulder. I turn my head sharply to notice whitish slime dripping from the outer jaw of my neighbour. He turns away, adopting the rehearsed noble and upright pose, while I try to rub clean his sticky secretions. I only succeed in smearing it all over my shoulder and getting my left palm dirty. The ooze hangs from my hand – part of it shakes off, coming unstuck, and the other part remains hanging down in threads and clots. Without hesitation, I spread the leftovers on the shoulder of the one who gave it to me. 

He does not move. “Thanks. It's a reflex, you know, when in contact with the proteinous."

The pre-storm wind rises. I glance at the sky and chance the looming question, “Well, how much longer do we have to sit here? What are we waiting for? ”

My opponent stays motionless. Except for his tail. The jagged tail – helically wrapped around my associate's torso, passing around his back and bent leg – begins to unfold. It creeps in my direction until the tip hovers just at my right temple. "You ought to give up your story." 

I lean back, noticing the chiselled tip move synchronously with my head. “Why would I?” I ask, inching forward while the blade inexorably mirrors my futile attempts to dodge. It holds precisely at my temple.

"Thoughts are material, you know..." muses my neighbour. 

After I turn to face my companion, the point of his tail rests against my nose bridge. I declare with defiance, "In fact, the story has already been written. I just cannot think of a name."

Brandished like a cold weapon, the appendage retreats to wrap its master again and to peacefully land in his lap. By the tone of his voice, he might seem interested. "And what is the hitch with the name?"

I sigh, "I want something catchy and inclusive, but just one word. I thought of 'She-Alien,' but it sounds and looks awkward –”

Having not heard me out, he interrupts, “It's amazing how fond you are of limiting yourselves. If not by rules, then by languages. Try French.”

After eyeing him, I snicker. Then, following hazy intuition, I glance down. Exactly at that moment, I catch sight of a flock of my opponent's superficial relatives sweeping across the small courtyard. Swiftly bounding on all fours, they tear through the entrance of my skyscraper. Have they really slaughtered everyone else in the city and have no one left to hunt for? And more importantly: will my companion defend me? 

Regardless, he sticks to his guns, paying absolutely no attention to domestic turmoil. "Or you can try the hybrids – legionnaire, questionnaire," he suggests. 

For a moment, I get distracted from the thoughts of my personal apocalypse. "It might work," I say under my breath.

My associate starts unfolding; he straightens his tail, flattens his knees, stretches out, and stands up. "So try it," he underlines. 

I have no choice but to get up along with him on the rooftop parapet. Turning to face me, he steadily holds out his bony, long-nailed hand. I extend mine towards him, but his palm touches my shoulder instead and pushes me effortlessly over the edge of the rooftop.

I do not have time to feel the choking, dizzying fall, get scared, or notice the building next to me as I dive in the blink of an eye. And I absolutely do not feel pain when a solid, inevitable surface crashes into me. I cannot move, but I see the cracks and fissures of the grey walkway clearly. One second later, the view fades into total blackness. The next moment, the sight of grey pavement reappears. 

Then, oblivion.

Once awake, I grab any pen and paper I can find before the word slips my mind. Handwritten letters one by one reveal: "aliennaire."

This is the name of my fanfiction and I use this nickname on thematic discussion boards.

13 September 2014

Heels and blades, or a parable about your habits

Well, lest my occasional reader irrevocably assume a notion I am all gloomy and into uncanny topics, here is my earlier reflection on how it feels to wear hight heels. I have to chip in beforehand, they are still my footwear of choice, and yes, I relish in dark arts and mysticism, but that is far and away another story, so...

Several years ago, having been almost bidding farewell to my dentist I was caught at the door sill with the question whether it's comfortable to trot on the heels like mine. Well, wearing braces is nothing in comparison to whimsical idea of operative legs elongation, so I'd rather linger on wearing high boots than undergo any surgery, moreover I don't even feel affected by their elevation at all. Habit's the second nature, what else to add.



What I've been kept doing through all my way back home was contemplating over high heel footwear advantages. It really owns them, in my slant, making the woman's feet look more graceful and aesthetic, statuesquely honing her proportions, complementing extra 3 to 13 cm to her desirable tallness, hence metamorphosing her physique to appear slimmer. Also fine heels are always a tinge of luxury. Not forget to mention that in an urgent case stiletto heels can turn into cold weapon. Thus, I was enumerating all noticeable and incredible “pros” of wearing flattering heels, until one distinct hindsight came down on me, the only occasion when I had lamented my heels penchant.



Luckily (for myself) I don't have photos of me lying prostrate on the ice sheet, albeit I believe they would entertain my reader. What was I doing in a such inconvenient posture? Once our girlie company had decided to go skating. What would have been easier, I thought, self-confidently suspecting that my childhood's experience would come in handy, and assuming that skating is one of those skill like swimming and riding bicycle, which are learnt-before-to-never-be-forgotten-ever. How mistaken had I been! The mere first attempt to stroke had resulted in hitting the ice with toe picks of my ice skates due to my predisposition to walk literally on the toes. And after I had got tired of permanent stumbling and falling down, lastly, I had managed to distribute my weight in a such manner that to keep ice skates' blades flat evading ploughing the ice. Fortunately, I had been pretty perfectly recollecting how to stand up quickly, leastwise my school days expertise had not been good for nothing. Don't worry, everybody had survived, not without the bruises though.



And in the end, coming back to nowadays in my narrative, I'd like to share some high heeled exemplars worth of being drooled upon their impeccability. Waving farewell to the recently gone summer, I share photos of three prominent platform sandal pairs I find marvellous and meriting to accentuate their beauty. I'm not going to praise them any more, because pictures talk for themselves! Stunning, aren't they?
Google

28 June 2014

Behind Elysium's nasty and neat worlds or Why the hippo did it


There, no ifs, ands or buts about it, was something more to breathtakingly shot yet, nevertheless, following simplistic plot movie directed by Neill Blomkamp, I pondered over after seeing it the first time. One can call it over-thinking, I tend to posit it as looking deeply into the subject. Majority of the modern films are so explicit with their messages (if any whatsoever) recklessly rammed straight down your throat by means of protagonists shouting out formulaic words of motivation, that any picture lending itself to puzzling experience (in my eyes), grabs my interest immediately. I literally fell in love with this picture, and there are at least five unbeatable reasons.

Cinema verite style
Albeit set a hundred and forty years ahead and riding largely on coattails of futuristic technology, Elysium offers convincingly realistic tiny details and whole ambiances for both frazzled Earth and dazzling titular station. Bellowing clouds of dust and columns of smoke over littered skyscraper slums versus bright varicoloured spots of distant lights throughout immaculate and tranquil night view; missing letters in hospital's name on the building as against luxury brand logos plastered on every piece of equipment possible; soiled tap water in plastic glass contrary to served by droids champaign in squeaky-clean goblets, and so on.

Shooting technique amalgamates the feeling of reality. Camera is never stationary, it always pans, dollies, zooms or follows giving the focus (or trying to grip it thereby) from pertinent for the moment point of view, adequate enough to catch up on the overall scene, still bewildering at the moments of galloping happenings. Haven't you ever had a notion when you suddenly find yourself falling down that it was the ground rising up to hit you? Speaking in terms of POV, in order to reflect circumstances and feelings of the main character, there are in-cut blurred, muted, slow motion and densely edited sequences intertwined with plain narrative line. Elysium is never boringly monotonous, however, in comparison to ingenious confections of high-budget films, it employs special effects thoughtfully and moderately, rendering the picture strikingly plausible.

Enhancing, not out-standing score
Secondly, the film sounds in harmoniously rich key. Its score is versatile enough with variety and intensity to uphold the sequences, but does not come on too strong to outrank the other components of the film's integrity. Snippets of electronic and classic music, diegetic tones and those of characters' emotional colouring, clanking and whirring noises of working equipment and overlapping voices at crowded places, deafened and buzzing bits are masterfully intermixed and transitioned to weave the canvas on which the picture is rolled out.

Likeable characters without exception
The third criterion to praising Elysium goes to its acting crew, and particularly to its both star leads for keeping their personages in the frames of film's groove untainted by personal celebritism. Matt Damon in disguise of unassuming ex-convict, dragging through the motions of mundane living and egotistically repelling rational and sublime notions in order to save his own neck, looks way better shaven bald and stripped of formal suits than all his three Borne reincarnations et al. Jodie Foster seemed to have never been possessed with her screen pulchritude at all, on the other hand, so she is refresheningly charming in her role of ambitious corporate bitch wearing slick attires and impeccable coiffure.

Nevertheless, those two are far from stealing the show, so much compelling, self-sufficient and well-outlined are supporting types of psychotic Kruger, short-tempered Spider, winsome Julio, arrogant Carlyle, and compassionate Frey. In fact, half-way into the movie, yet after certain gruesome events and clues, you can find yourself rooting for quite the opposite personae rather than the ones you are meant to. Because scars, props and brief evaluations put on extra facets for inkling on what may have led to the circumstances each of the characters is now in.
Moreover, Elysium evokes intangible still persistent sense of natural camaraderie pervading each camp – Max with his neighbourhood including long-fled Frey, Kruger and the “preferable agents”, Spider along with nightclub henchmen of all trades and walks of life – leaving you ultimately convinced those people know each other for ages. Hence, there is genuine delight in watching unverbalised responses that are being imparted through tiniest changes of countenance, via posture and body movements, especially if you consider how curt and meagre is the film with wording.

Hidden message (Chapter contains spoilers!)
There is one and only collateral and articulate sub-story in the film, narrated by a little girl. It's about a naïve act of friendship. The protagonist shakes off its effect on him right after he hears tell of it, because the best friend for a hippo will be ...another hippo, or a rhino, or any other animal of a size. Only after having gone the distance Max acknowledges the tale with his last words and notes inference, “I figured out why the hippo did it.” And by this uttering, I think, he doesn't crib a keynote expressed back nearly a half a film, since it was explained away as “The hippo wants a friend”, but sooner implies more profound meaning apropos to and reflecting his own experience from the last harrowing day.

Outraged by go-getters attempting to lay hold of his neural data and tensed up with guilty compunctions for involving Frey in his selfish combat for life, Max changes his mind diametrically opposite to former decision. The lead character is forced to “grow up” and learn to take responsibility in less than one day, the vast step in maturity that he didn't managed to make during all his life at gradual pace. That is the natural desire to take care of those who are smaller and weaker than yourself.
Needless to mention it cannot be a coincidence that almost every essential film's character speaks of children or has first-hand relation. Max's flashbacks educe his childhood memories about Spanish nun taking care of him. Frey has severely-ill daughter to look after. Delacourt suddenly inquires if the President has children to protect, at the time of her administrative reproach. Spider, while mocking Max's hope for getting cured, grounds his denial on that he has “got little kids coming in here every day” with the same entreaty of salvation. At last, Kruger states, “I don't believe in committing violent acts in front of kids” at the moment of Frey's interrogation.

The last Max's glance at Earth globe floating above Elysium station, and its image in the nun's gift locket alike, may help even further in translating the self-sacrifice for saving Matilda into rescuing the entire planet. Which gives rise to the whole lot of subsequent questions, such as, what can pose the final warning to humanity about gravely urgent need in care of the home planet until it has reached the point of no ecological return?.. If you ponder over it for a minute, you will find more allegories and alerts the picture shrouds, like the remarked white/grey/pale horse during the hijack sequence.

References to my favourites
In the fifth place, and this reason for liking Elysium is very personal, the picture is amply loaded with credits to Alien and Aliens in its structure (build-up progress takes no less than two-thirds into the film), with visual and aural aesthetic qualities (blue-lit scenes, amber flashing lights, metallic gear clashing sounds, battered and dusty space vehicles, etc.), and due to naming Kruger's subordinates after two characters from Cameron's epic, Drake and Crowe.
Cannot help the guilty pleasure to post this photo here!
Google

30 May 2013

Viva to the Tenebrous



Unlike the creation and upkeep of neat as pin and ritzy artistic evidences of our culture, their visually gloomy and rinky-dink opposites are allegedly more toilsome relics to conceive and produce. We are all naturally inclined to pursue perfection, whereat clean images are the first thing to come to mind... Why would someone muddle despair and loneliness into artworks, moreover, raise the bar and render distressing figments of their imagination in an eye-catching (alternatively, mind-arresting) way? After all, the message imparted darkly is still a message.

Among all science fiction stories I have devoured a lot in my school years, Usher II chapter of Martian chronicles always held a special place in my memory. I remember perusing and re-reading uncountable times original Edgar Poe citations for the rough house (like on the picture above) and its murky surroundings, proprietor's praise and contractor's depiction of the machines, sneaked around and affecting the place, otherwise, sunny and mild. The idea of going to the bother of artificially vitiating the locality, and admirably too, gets a hold of me ever since. Furthermore so, if it conceals some purpose.
Google

11 October 2012

Look up to contrasts

By kind courtesy of my wonderful online friend, below is the picturesque exposure of Swiss Eiger mountain slope. No photoshop, all real! The summits are topped with snow, but under the layer of wallowing foggy clouds there rests a plain grassy and coniferous terrain with small Northern village.



The climate contrast, where summer (albeit the late one) meets winter at the same location on the merely different altitudes, is stunning. And so is almost every contrast you can notice around.
Graphic discrepancy between someone's words and deeds, disappointment in what happened instead of what has been expected to come, sweet speeches failing to work upon congruous and corresponding face countenance, that all rings peculiar right away without thorough lengthy examination. It's all on the surface. As evident as the striking distinction on the picture above.
Google

09 October 2012

Autumnal leaf posy


While spring is gleefully called the season when new life emerges, isn't it an autumn that sets out ensured in half a year nature recovery? It draws the bottom line to all your annual undertakings and endeavours, still leaving enough of time to settle your affairs until the clock struck New year. I love autumn. If not oblivion, it certainly forces you to re-assess current year's wins and slips, gives chance to rectify some, take pause from your whirling life and ponder over the future bouquet of possibilities. Google